Was perched on a rock reading some Krasnahorkai, when I noticed a fight rehearsal going on in the field below for a farce of Hamlet. Resisted the impulse to go down and give notes based on former work as an outdoor drama fight captain, but good to know I still have the eye.
Videlicet:
- Laertes is flipping the wrist on the head cut in the last phase -- keep it supinated, or it will drift downwards during the run.
- The (cert-compulsory) punto phrase is good, but as they follow through with a volte afterwards, Hamlet is avoiding into the diagonal cut. Punto, then break circularity.
- In the first fight, the counter-sigundes are getting a bit pointy towards the opponent -- keep them vertical, or at most, 45 degrees.