A first acquaintance with Blaga's philosophy -- I had only read secondary sources before, but apparently the research collections here are stronger on Blaga in English than the Cluj research library, which is peculiar. I encountered this phenomenon often in Balkan wanderings -- in Skopje, for example, you find an abundance of works in English (including entire bookstores), but you will not find a single Macedonian work translated into English (unless you're better at that sort of thing than I am.)
At any rate Blaga seems, unfortunately, to have come under the spell of Spengler, and writes with a similar freedom. That said, there are some very interesting ideas. The notion of negative knowledge, called "Luciferian knowledge" after the conceit of the angel, together with the "abyssal categories" that define it (reasoned from a deduction? what are they?); the notion of characteristic style, presumably after Schopenhauer (who I'm almost completely unfamiliar with); and of course, the section on mioritic space, which he's most famous for and possibly the most resonant of his ideas. (Possibly, in the notion of fictional space, we are going back to the Kantian conditions of the possibility of experience, and re-making a world in which, contrary to the present one, it is possible to live.)
There are etexts of the trilogies, and I suppose it would be the work of a moment to AI translate them and then go through them, but I can't handle that now. After a few hours, my best understanding of him is as a sort of correlative to Ivo Andric -- both, retired diplomats, one a sober novelist with perhaps a few keys hidden in the stories, and the other a cultural philosopher of Spenglerian freedom (whose work I likely don't yet understand), and in this, in their styles and metiers, they reflect something essential about the two countries which they represented to the world.
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Thinking about the apartment in Zemun that I rented after a month across from St. Mark's during the big protests. That was an excellent place to write -- bells of the Franciscan church and the small chapels in the park, the distant flashing lights on top of the Usce mall, and the city beyond. My one disappointment during that time was the injury that kept me from running, as the quay is excellent for that.
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In sum, I'm presently dividing the day between trying to ameliorate my condition (cranking out CV's, applying to content writing gigs that I'm vastly overqualified for), and doing the actual work, on the assumption that I will never get past the locked doors, and will have to reach my own understandings and make my own work. A bit like the Shaker precept of Mother Anne -- live each day as if you were to live a thousand years, and as if it would be your last. The second type of work is the last-day scenario, only the essential philosophy, art, literature. While still trying to land a gig, or a career, preferably one that can get me to a country in which I can do some real work. Not being able to change my condition, and not being able to finish some real work is not a thought I'd like to have.
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Interesting, a Western-leaning news portal in a Western-leaning Islamic country runs a piece on an important night of Ramadan, the battle of Bed'r (?). Oddly, though, the Quran was revealed on the same night of (a different year), and that's how the night is usually marked -- including at this portal in past years, if memory serves. The present Persian campaign has likely made a lot of people very angry, and I still haven't seen the justification for it. And the Ides of March upcoming.
Some of the things one notices when attempting to slog out the winter in a northern city under very difficult circumstances. Onward.